Such failures at the Salon may have encouraged Monet to organize in 1874 an independent exhibition along with his colleagues Pissarro, Degas, Cézanne, Renoir, and Morisot that has come to be known as the first Impressionist exhibition. However, Monet failed to complete for the Salon in 1866 or to have accepted in 1867 his attempts to achieve monumental representations of modern women and men engaged in public and private recreation. Monet achieved modest success at the principal art venue of the era, the Salon exhibition, with a pair of seascapes in 1865 and a large-scale portrait of a woman of fashion in 1866. Monet began his career during the Second French Empire as a Realist painter under the influence of the older artists Courbet and Manet whose common goal was the representation of modern life. Evanston, IL: Northwestern University Press, 1993). 139, The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, ed. The point of view espoused with regard to these divergent perspectives is that they all enrich the literature on the artist because “the interminable reinterpretations to which is legitimately susceptible change it only into itself” (p. It is not possible to include every worthy item here, but the annotated entries will orient the reader to the most significant trends. Despite the international currency of Monet’s work, the scholarly literature since the mid-20th century is characterized by significant differences in interpretation from formalism to social history, feminism to psychoanalysis. Monet’s paintings command high prices at auction and his works are continuously featured in exhibitions around the world. Claude Monet (b. 1840–d. 1926) is the artist most closely associated with the term “Impressionism.” His paintings are among the most frequently viewed on the Internet, ranking fourth after Picasso, van Gogh, and Leonardo.
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